Board Thread:Konoha Arc/@comment-24937485-20160325110811/@comment-24937485-20160405153459

Kei would find himself grabbed by powerful hands that didn’t feel human; they were cold. Thus he was effectively kept in place while an unusual apparatus arose from the ground and moved to grab his arms only so two additional claws could come for his eyes.

He’d simply stand there, seemingly waiting to be finished, until in the last possible moment his eyes flashed red and the sharingan came into activation as his chakra set out to do what it usually did during a genjutsu, though things went a bit differently this time around.

Whereas he normally infiltrates the targets cerebral nervous system, he now entered the electric circuits running through these machines. Just like the human nervous system, these creation would be controlled through electronical impulses. However, unlike the human nervous system, there would be far less of these impulses and also they’d move in a far less chaotic pattern which made using genjutsu fa easier. Not only that, but all of the creations seemed to be linked or controlled by a mainframe, if so then Kei would access this mainframe rather than just the robot in front of him, before using his genjutsu to completely paralyze it in human terms while in robot terms it’d simply be known as –Error: 356, server shut down.-. The usage of the shackling stakes technique allowed Kei to perform it without eye contact although eye contact would most likely be sufficient for him to enter the robot in front of him due to the complexity being a unthinkable amount less than that of the human brain; but if not sufficient he’d merely use the technique without eye contact which would drain him of a good amount of chakra and sent a sharp pain through his eyes.

He then took his sword out of its sheathe and channeled wind chakra through it before cutting himself free and jumping up to the side to stand on the wall in order to not have to deal with anymore holes in the ground as he waited for the others before moving on.